Nature

Composition & Photographing Nature’s Small Scenes — Sarah Marino & Ron Coscorrosa Images



#1: Abstraction: See Past the Literal Qualities of Your Topic

Of all the teachings I’ve discovered and now train about composition for nature photographers, I discover this lesson to be crucial. Many individuals, together with me, have come to nature pictures with out a lot of a background in artwork or visible design. Which means we begin off with photographing what we see in entrance of us: mountains, timber, lakes, rivers, sand dunes, and different pure options.

A connection to those literal topics is usually what encourages us to take up nature pictures within the first place, so this looks as if a logical level to begin when making a composition. Nevertheless, if we solely give attention to literal topics, we depart among the most necessary composition concepts and instruments untouched. Studying to see past these literal topics to additionally see abstractions and components of visible design might help elevate a photographer’s skill to rearrange a scene right into a cohesive {photograph}. We will take three examples from this text to point out how seeing the summary qualities of a scene could be useful for composition:

  • Seagrass (instance #1): The literal topic is seagrass floating in a tidal pool in Olympic Nationwide Park. When wanting past the seagrass as the topic, we are able to see flowing traces, repetition, and texture.

  • Mud tiles (instance #2): The literal topic is mud tiles discovered within the Mojave Desert, clean from a latest rain. If we glance past the mud tiles, we once more see repetition however in a unique type than the seagrass. With the mud tiles, we see a community of interconnected traces and repeating natural shapes, all of comparable measurement and scale.

  • Mossy timber (instance #4): The literal topic is moss-covered timber in Oregon. Past the timber, we are able to see mirrored varieties (the timber on either side of the center gracefully curving towards the closest edge), mild that provides depth and dimension, repetition, and vertical traces.

All of those summary qualities are components we are able to use to arrange a cohesive, visually fascinating composition. Subsequent time you might be out in nature engaged on a composition, look past your literal topic and take into consideration how you should use traces, shapes, mild, and different abstractions to rearrange your scene.

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